Recently a fellow OCA Textiles student and I visited Stroud to take a look at some of the exhibitions and open studios during Stroud International Textiles Spring Select.
I left my camera-phone in the car. Major fail. Typical.
However, that did not prevent us from having a great time looking at some wonderful textile and art work.
First stop was Stroud College where the SIT weaving symposium was in full swing in one of the lecture rooms. We had a look at the books for sale in the foyer and I have now put Hand Stitch, Perspectives by Alice Kettle and Jane McKeating on my Amazon wishlist. Also on display here was a small collection of very well executed recent work by fashion and textiles students at the college.
We then went along to the Museum in the Park where we found:
- tapestries by Hillu Liebelt – my favorite was Chasing the Summer (2011), a bold, blue and red, large, horizontal panel in silk, rayon, cotton and bamboo fibre.
- a hand dyed and woven paper piece specially commissioned for the site by Japanese artist Seiko Kinoshita – English Summer Fields Soundscape: Sound of weaving.
- Mother Love by Ingrid Hesling and Jenni Dutton – two artists’ interpretations of the relationships between mother and daughter using traditional techniques in an unusual way. Jenni Dutton was observing her mother over the time she was suffering with dementia and produced The Dementia Darnings, a series of large portraits of her mother, some reproduced from family photographs and all made using tapestry wool and other yarns through fine net fabric. Close up you can see how the artist has blended the yarns to produce the required colours, very similar to the work of Cayce Zavaglia who uses stitch in a painterly way. Ingrid Hesling’s work A Stitch in Time incorporates embroidery on vintage linens that the artist found after the death of her mother. She explores her complicated and sometimes difficult relationship with her mother in a series of embroideries that also incorporate photographic images.
Brunel Broderers exhibition Suited was at the Lansdown Hall and Gallery. Hobbs tailors abandoned their shop some years ago and then recently offered access to the Broderers who used the fabrics, haberdashery and notions to inspire their work for this show. Tailoring techniques and luxury woollen and silk fabrics are used in novel ways. Of particular interest to me were the artist’s sketchbooks which are available for visitors to view.
We went on to look around the Studio Seven textile workshop at Stroud Valleys Artspace open studios where we found work by Francesca Chalk, Sarah Jenner, Anne Rogers, Kathryn Clarke, Corinne Hockley, Jenny Bicat and Liz Lippiatt. I especially enjoyed Corinne Hockley’s theatrical costume pieces and the gorgeously coloured devore prints by Liz Lippiatt. Also at SVA we saw Zoe Heath‘s beautiful, intricate books and small scale artworks made from found objects.
Later we found ourselves at The Weaving Shed where Sally Hampson, artist and weaver occupies a disused shop in Stroud High Street, a residency assisted by SVA, and engages with visitors in the process of weaving. Looms are available ready set up for introduction to weaving workshops where students learn to experiment with techniques, yarns and fabrics.
On the way home we stopped off at Frogmarsh Mill in South Woodchester where more artists work was on display as part of the open studios event. Cleo Mussi‘s colourful and quirky mosaics feature old ceramics and found objects to make wall plaques. We also saw Fiona Hesketh’s delicate jewellery, Annie Hewitt’s glowing cobalt decorated earthenware tableware and Jacqueline Kroft’s fair trade hand knitted clothing. Finally we chatted with Jennifer Whiskerd, artist and printmaker who has also been an OCA tutor, and enjoyed looking at her woodcut prints based on the antics of the local wildlife.