Tag Archives: Dye

Assignment 5 – Reflective commentary

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By the time I got to start on this assignment I understood completely how the rest of the course prepared me for the process of the final project and that the discipline of progressing through conceiving an idea, developing and then making is going to stand me in excellent stead for continuing my studies.  Until I was actually working on my theme book, sketching and making notes using a multitude of resources, I had not realised how much potential development work I could have from this little collection of bits and pieces.  I am really looking forward to the next project, now I understand how stimulating this way of working can be.  With my theme book I found that once there was a personal connection, a way of putting part of myself into the project, even if only a tiny part, this made a huge difference to how I felt about the work and how motivated I became.

I found I did take a lot of time to think about the initial development, once I had decided on an end “product”.  I think this helped to avoid too many big changes of course as I had pretty much made up my mind about how I wanted the piece to look.  I also restricted myself to a handful of fabrics and threads with a neutral colour scheme, apart from the odd accent of colour and I believe this went a long way to help make sure I wasn’t going to keep changing my mind and waste time and materials.

I used a fair proportion of recycled fabric that I re-purposed, using tea and onion skin dye and resist techniques to provide texture and colour.  I endeavour to tread lightly on our earth in my life in general and, even though it might mean I am restricting myself in the materials I have access to, I firmly believe that I will be able to source most things that I need in an environmentally aware way.  As long as I can be ingenious with the resources that I have I intend to keep this environmental focus uppermost during my studies, as I do in the rest of my life.  As my final piece incorporated my ideas of memories, ageing and time I believe I achieved an effective result using my “pre-loved” fabrics.  In the end the only item I purchased for the final project was the ivory voile fabric.  All the threads and the rest of the fabrics were already in my collection, either remnants from other projects, gifts and charity shop finds.

I could not have anticipated chosing to produce a curtain-style hanging final piece when I started out this project and that has been one of the joys of this particular exercise.  Once I started on the journey of design from initial idea to final product there was a real feeling of excitement in exploring all the avenues of possibility, like travelling to new countries and finding nuggets of treasure on my way to add to my collection.  I was also surprised at the feelings of attachment I found I had to the project once I had made the journey a personal one, looking at my family environment and my own development into an adult.  I feel more prepared to explore my skills in textile art, rather than textile purely as a craft, now I have got to this point of the course.

 

Project 10 A design project – Stage 3 Developing your design – sampling and a prototype

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I have been using tea, coffee and onion skins to dye some sample fabrics.  I am planning to keep to mostly neutral shades for the final piece and to use fabric manipulation, embroidery and some resist dyeing techniques to give form and texture.  Base fabrics were a cream polyester voile, ivory dress net, recycled cream curtain lining and ivory dupion silk.  I wanted to knock back the bright colour of the original fabrics and introduce some texture with the stain.  I left some samples overnight in the dye bath.  I got some good results using the heat of our Aga stove, rather than a chemical mordant, to set the colour by putting the damp fabric scrunched up in a steel roasting pan (covered with a Pyrex plate to stop it touching the radiant sides of the oven) and leaving it in the roasting oven (approximately 180 – 200 degrees) for an hour.  I left some samples sitting on lid of the hot plates overnight, a gentler heat.  Samples were then washed by machine (approximately 30 degrees) with a little detergent and ironed dry.  I will be interested to see how long lived the dye is, especially as my final piece will be designed to stay in the light of a window or door but I like the idea of how the piece will age naturally.

sketchbook coffee

instant coffee – this worked well, the tone is slightly greyer than the tea

sketchbook onion

mostly brown onion skins but with a few bits of red – the result on the silk was a lot brighter than I had expected

sketchbook tea

tea – Co-Op 99 bags made up good and strong

I have also used some tie-dye techniques to give the fabric more texture.

unravelling shibori folds

lines of running stitch, random size and distance apart, pulled up tight before placing in the dye bath

fabric gathered

an interesting bark like effect of where the dye has concentraced in the folds.

shibori tie die

my version of a shibori resist using glass seed beeds dyed using onion skins.

fabric shibori

little circles of white with yellow centres, something to do with the bead touching the surface

I have hand stitched some further samples using the dyed fabrics to get an idea of layers and different stitches.  I definitely prefer hand embroidery for this project.

sketchbook stitch sample

layers of dyed silk on voile, stitched with cotton and silk threads

sketchbook applique

Here I have left the thread ends on the surface which make a feathery effect.  Base fabric is the tea stained voile, the left leaf shape is tea dyed silk and the bush on the right is onion skin dyed silk.  I have used mainly standard machine sewing thread with some heavier orange machine thread.

Next I tried using Paint.net software effects and adjustments to alter the collaged image I made of the doorway. Collage versions using Paintdotnet

In many of the monochrome versions I like the way the stitching is highlighted, exactly the right effect for this project.

I made some preliminary sketches of how I wanted the layers to look; more of a plan than a design, then it was time to make a 3d model of the project.  As this piece is designed to hang in a window I have come up with a box frame (cardboard shoe box) to act as the window embrasure and to support the hanging rods (kebab sticks). I have used plastic film (plastic wallet) for the first front layer and transparent paper to represent the other two layers behind.  I used cut out, monochromes copies of one of the computer manipulated images give an impression of the final design and the scale is approximately 1:5.

across

rods

top

showing frame

model 1

The paper is a bit more opaque than I believe the fabric will be so I think you may be able to perceive the figures in the background a little better in the final piece.